Film Briefly Feed

Camp Miasma follows a queer filmmaker rebooting an 1980s slasher while investigating a reclusive original star, as a killer emerges and fact blurs with fiction.

Gregg Araki’s films blend queer desire, youthful nihilism, and graphic audacity, and his new feature targets the contemporary-art world with slapstick technicolor recalcitrance.

Peter Parker’s neglect of self-care after the world forgets him causes hormonal imbalance, escalating spider powers and triggering a rash decision with widespread consequences.

Sofia Coppola used her privileged visibility to craft films that confront bias and privilege, resonating with people who feel observed but unseen.

SF Queer Film Festival’s sixth edition at the Roxie Theater runs Fri/21–Sun/23 with shorts-heavy programming spanning comedy, romance, nonfiction, and sci-fi satire.

Remake traces creativity, shame, love, and loss through autobiographical filmmaking that turns self-criticism into a direct, layered documentary experience.

Valentine must navigate being a human heir to the vampire throne while other prime-time shows include dance-with-dogs, family-law divorce fallout, internal-misconduct policing, and a Star Trek prequel on terrestrial TV.

A brisk 1910 adaptation reframes Woolf’s Night and Day into a handheld, fast-moving story about astronomy, suffrage, and forbidden love.

Coyote vs. Acme was shelved for a tax write-off, then released and succeeded critically and commercially, with its director crediting craft and audience support.

A medical courier in Raccoon City must deliver a high-priority package through escalating horror, balancing jump scares and humor without easy solutions.

Writing is the hardest aspect of filmmaking for Ridley Scott, despite his reputation for complex visual world-building.

A road movie centers queer Black friendship as characters search for a vanished non-binary friend while seeking safety through Black-owned stops and ultimately leaving the U.S.