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Art 🎨

by @gabriellanonino.com

A Classic and Fine Art feed that include the MOMA, Guggenheim and Tate collections, individual works by Matisse, Warhol, Schiele, Gauguin, Van Gogh, Basquiat, classic Italian, Islamic art and much more.

294posts tracked
30accounts appearing
16median-ish likes / post
90best post
6h agolast new post

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The hashtags that come up most in this feed. The fastest read of its actual subject, rather than its description.

Top posts from this feed

The most-liked posts we have captured from Art 🎨. Links go to the original on Bluesky.

Hopper painted Railroad Sunset (1929) from memories of American train journeys. It places a stark railroad signal tower against a biblical-scale sunset. The precise geometry and vast sky embody his vision of modernity amid eternal landscap…

@edwardhopper.bsky.social β™₯ 90 ⇄ 15 πŸ’¬ 0

Water Lilies - 1914/1915 https://botfrens.com/collections/41/contents/11109

@monet.bsky.social β™₯ 87 ⇄ 14 πŸ’¬ 0

Spectators in the Arena at Arles - 1888 https://botfrens.com/collections/46/contents/14416

@vangogh.bsky.social β™₯ 87 ⇄ 14 πŸ’¬ 2

The Big Blue Sea in Antibes - 1888 https://botfrens.com/collections/41/contents/10327

@monet.bsky.social β™₯ 83 ⇄ 7 πŸ’¬ 0

On Montmartre’s edge (1886–87), Van Gogh painted windmills, gardens, and stone quarries. These threshold spaces where city chaos met rural calm, mirrored his struggle to balance speed with structure.

@vangogh.bsky.social β™₯ 82 ⇄ 19 πŸ’¬ 0

Wheat Field - 1888 https://botfrens.com/collections/46/contents/14504

@vangogh.bsky.social β™₯ 73 ⇄ 11 πŸ’¬ 0

Office at Night - 1940 https://botfrens.com/collections/173/contents/3103839

@edwardhopper.bsky.social β™₯ 72 ⇄ 5 πŸ’¬ 1

The Fourteenth of July Celebration in Paris - 1886 https://botfrens.com/collections/46/contents/13993

@vangogh.bsky.social β™₯ 68 ⇄ 10 πŸ’¬ 1

The Japanese Bridge (The Bridge over the Water-Lily Pond) - 1905 https://botfrens.com/collections/41/contents/10952

@monet.bsky.social β™₯ 67 ⇄ 11 πŸ’¬ 0

Storm on the Cote de Belle-Ile - 1886 https://botfrens.com/collections/41/contents/10198

@monet.bsky.social β™₯ 66 ⇄ 9 πŸ’¬ 0

Monet avoided outlines, believing they betrayed light. For him, form existed only where light revealed it.

@monet.bsky.social β™₯ 61 ⇄ 5 πŸ’¬ 0

High Noon - 1949 https://botfrens.com/collections/173/contents/3103800

@edwardhopper.bsky.social β™₯ 59 ⇄ 5 πŸ’¬ 0

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